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Gerasimos Leonidas


Contact

g.leonidas@reading.ac.uk

+44 7775 850 003





Gerry Leonidas

Professor of typography, with particular focus on multiscript typeface design.

Active across research, supervision, mentoring, sponsorship, and teaching.

Engaging with institutions, companies, and public bodies to lead the

transformation of typeface design into a field of study in the humanities.


Current academic roles and responsibilities

Director of PGR Studies

Responsible for policy and development of PhD programmes in Typography & Graphic Communication

Programme Director

MA by Research Typography & Graphic Communication Master of Research in Typeface Design

Pathway Lead

MA Communication Design / Typeface Design

Course Director

TDi professional development course for research in typeface design

Internationalisation Lead  Responsible for developing co-delivery partnerships and representing the School of Art & Communication Design in global engagement actions

Research Supervisor

Overseeing PhD theses and MA/MRes dissertations

To date 16 PhDs supervised to completion, and 8 in progress Over 180 MA/MRes dissertations supervised to completion

Chair / Member

Several Committees and Boards at School- and University-level

Expertise and recognition

Research evaluation

REF2029 sub-panel member for Art & Design (REF is the UK-wide periodic research evaluation which determines rankings and funding)

Member of the international panel evaluating research of the VSUP on behalf of the Czech Ministry of Education (2025)

Research leadership

RAE2029 Impact Case Study lead

EU Horizon2020 “TypoArabic” project (€340,000)

Several University-internal bootstrapping projects

Experience of multiple UK-based funding applications

Advisory Board member for major research projects; currently on the Small performances: Baskerville punches project by the University of Cambridge and Birmingham City University (£840,000)

Leading externally-funded projects between the University and commercial partners, including two Knowledge Transfer Projects, at c. £120,000 each

QA review

Member of teams evaluating programmes in communication design and typography (Cyprus, Finland, Israel, Thailand, UK)

External Examiner: MA Graphic Design, Portsmouth University (2010-14)

PhD Examination

Universities in Australia, Egypt, The Netherlands, Poland, Slovakia, Sweden, Turkey, and UK


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Promotion/tenure review

Universities in Australia, Canada, China, Egypt, Finland, Greece, Lebanon, Italy, Israel, Qatar, UK, and USA

Funding review

AHRC, ESF, and smaller UK schemes

Organisation Lead

President, ATypI: Association Typographique Internationale (2017-20) Vice-President (2013-17), and Board member (2004-2010).

Led the shift of the Association towards research-informed multiscript practice

Founding Member

Granshan Foundation for non-Latin typeface design (2016-) (Active organisation running an international competition)

Institute for the Study of Typography & Visual Communication (2011-23) (Organisation responsible for the ICTVC conferences and Hyphen journal)

International Typography Reference Library, in collaboration with CAFA (Central Academy of Fine Arts, Beijing)

Invited expert

As speaker, chair and panelist at numerous events, speaking on typographic design, education, and research; in over 20 countries

As tutor on typography / typeface design / research methods and writing; in over 20 countries

As interviewee for several media channels; in over 10 countries

Committee member

Organising many conferences, with particular contributions to the ICTVC (2002-2022), ATypI (2005-2010, 2014-20), Granshan (2013-)

Reviewing conferences proposals for the above, plus Encontro Tipografia (2015-), Cumulus (2015-), DigiCom (2017-), Grafematik (2018-), a.o.

Editorial Board member

For the journals Hyphen (2006-2024) and Book 2.0 (2011-)

Competition judge

For several international competitions on typeface design and typography

Notable consultancy and expertise work

Expert witness

For numerous fitness-for-purpose reviews for public bodies and legal cases (2003-), including commercial disputes, font piracy, and matters relating to accessibility and user inclusion

Advisor/consultant

To several global companies, and over fifty SMEs (1997-), ranging from technology companies to publishers and academic institutions

Advisory Board member to UNESCO Chair in Digital Futures /

SILICON Stanford

Design contributor

On over 70 collaborative projects ranging from typefaces for children, to corporate identity typefaces, to specialist fonts for ebooks, to OEM fonts

Selected publications (2016-)

Hints of paradigm shifts. In Time to play. Microsoft, 2025

Identifying patterns in the globalisation of typeface design. In Zhuangshi | Chinese Journal of Design, no 358,02, 2023


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Reframing research-informed practice. In Titus Nemeth (Ed.), Arabic typography: history and practice. Niggli, 2022

Designing type revivals (Ed.), Michele Patane, Riccardo Olocco. Lazy Dog, 2022

Global type tour. In Eye 102, 2022

Type specimens as learning tools. In Marian Misiak (Ed.), Support independent type—the new culture of type specimens, Slanted Publishers, 2020

Enabling modernity: innovation and reflection in modulated Greek typefaces. In Tom Mullaney (Ed.), Philological Encounters, Brill, 2018.

[Designing Greek]. In Ben Wittner, Sascha Thoma, Timm Hartmann (eds.), Bi-Scriptual: Typography and Graphic Design with Multiple Script Systems. Niggli, 2018

Reflections about supervision in Communication Design Research. In Rafael Dietzsch (ed.). In De Maos Dadas: Uma reflexao sobre orientaqoes na pesquisa em Comunicaqao, Publicagoes da Faculdade de Comunicagao da Universidade de Brasilia - FAC/UnB, 2018

A reappraisal of Baskerville’s Greek types. In Caroline Archer & Malcolm Dick (Eds), John Baskerville: art, industry and culture in the Enlightenment. The University of Liverpool Press, 2017

Keynotes, presentations, and invited lectures (2016-)

Typeface design as an emerging global discipline. National Library of Portugal, 2025

Re-translations: amplifying discourse. Re-vision: On re-publishing & re-design, CBCP, 2025

The Balkan Gaze. TypeShayar, 2024

Self, place, texts and ways of looking. Brumen Biennale. Ljubljana, 2024

The building blocks of visible language. Design 360°. Beijing, 2024

Typeface design as a framework for design research. UK-China Humanities Alliance conference, Fudan University, 2022

Arabic typography: a paradigm for research-informed practice. ISType Mukaddeme, 2022

Towards a research framework for the South Slavic typographic heritage. ICTVC, Thessaloniki, 2022 (With Irma Puskarevic)

Collections and archives as spaces of ideas and knowledge. Museum of Architecture and Design, Ljubljana, 2022

Identifying genres and styles; The type market & career options; Studying typefaces. Three public talks at the International Summer School, Academy of Fine Arts and Design, University of Ljubljana, 2020

The current state of PhD research in Typography. ATypI Working Seminar, Amiens, 2020

Themes in the globalisation of typeface design. Future Graphic Language: New Directions in Verbal Communication, Warsaw, 2019

The decentralised mainstream. ICTVC, Patras; Tsinghua University, Beijing, 2019

Integrating research in practice. ATypI Working Seminar Colombo, University of Moratuwa, 2019

Typefaces, texts, and global documents. Oxford Brookes University, 2019

Heritage and creativity, productivity and innovation. Chinese Character Symposium, Beijing, 2018



Themes in the globalisation of typeface design. Script, print, and letterforms in global contexts, Birmingham, 2018

Giving form to Variable Fonts. TypoLabs, Berlin, 2018

Teaching with archives in practice-based disciplines. Chinese National Academy of Arts, 2018

Enabling modernity: innovation in modulated Greek typefaces. Granshan, Yerevan, 2017; and Face/Interface, Stanford University, 2017

The designer as social mentor. TGA symposium, Raabs; and BITS 8, Bangkok, 2017

Research-based design: integrating archives in a practice-based discipline. AEPM, Chania, 2017

Design education for the next twenty-five years. Tsinghua University, Beijing, 2017

Typography and diversity. Way of Type, Beijing, 2017

Typography and diversity. Typoday Sri Lanka, University of Moratuwa, 2017

Enlightened typography for a small world. Basel School of Design, 2016

Key ideas in typeface design. Font Forum, CAFA, Beijing, 2016

Employment

2019-       Professor of Typography, University of Reading

2007-2019       Associate Professor of Typography, University of Reading

1998 -2007 Lecturer, University of Reading

1995 -       Consultant in typography and typeface design

1986 -1994       Employed and freelance work in typographic design and production

Education

1995       PgDip Typography & Graphic Communication, The University of Reading

1994       BSc Business Administration, Economic University of Athens

1992       Diploma in Print Journalism, Professional Journalism Workshop, Athens

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