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DEPARTMENT OF PAINTING

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Jiang Zuqing (Zhu Qing)
Professor and doctoral supervisor

Email: jiangzhuqing@mail.tsinghua.edu.cn

Academic Title
Tenured Professor

Education

·Early 1991: M.A. in Decorative Arts, Academy of Arts & Design, Tsinghua University (formerly Central Academy of Crafts & Arts)

Professional Experience

·1984–1988: Faculty, School of Fine Arts, Qingdao University

·1991–Present: Faculty, Department of Mural and Public Art, Academy of Arts & Design, Tsinghua University

Research Fields

·Public Art

·Comprehensive Material Painting

Academic Philosophy
The most profound legacies of human civilization are art and science. Art embodies the brilliance and expression of individual humanity, while contemporary public art represents the evolution of humanistic values into shared life experiences. Art education must provide students with a broad historical context and artistic landscape to clarify their identities, foster independent judgment, and lay foundations for future practice.

Public art creation involves navigating social responsibilities, collisions of ideas, and technical challenges. It is a deliberate release, an interpretive liberation, and a path toward communal aesthetic life. Artists must bridge artistic vision and technical execution, integrating materiality and craftsmanship to achieve organic unity. Academic education must unify conceptual learning with technical mastery.

Key Collaborations & Exchanges

·Jan 2019: Researched paper art traditions in Switzerland and Italy; created Five Poisons Series at Milan Printmaking Studio; continued three-year collaboration with Swiss artist F. Mury.

·Apr 2019: "Belt and Road" project in Zimbabwe, Kenya, Ethiopia; exhibited at China-Africa Artists Exchange Exhibition (National Gallery of Zimbabwe).

·May 2018: "Belt and Road" field research in Kenya; joint exhibition with University of Nairobi.

·Jun–Aug 2016: Paris Cité Internationale des Arts residency; solo exhibition at Cité des Arts.

·May–Jun 2014: Lectured at Mexico State University; conducted Conference-Workshop sessions.

·Nov–Dec 2012: Metamorphosis and Chinese Landscape Series exhibited at Royal Swedish Academy of Fine Arts; guest professorship.

·Jan–Jun 2004: Guest Professor, University of Michigan School of Art & Design; solo exhibition Jiang Zhuqing’s Works.

·Jul–Aug 1997: Residency at OCCCA (Orange County Center for Contemporary Art, USA); lectured on Chinese contemporary art; exhibited Lotus Series.

·Jun 1995–Mar 1996: Residency at Paris Cité Internationale des Arts; European museum/gallery research; solo exhibition Jiang Zhuqing’s Paintings.

Academic Output
Major Exhibitions (2010–2020)

·2020: Lotus Series in Essence of Art (China Science and Technology Museum); Chinese Zodiac in Belt and Road Mural Exhibition (China Academy of Art).

·2019: Red Series in Beyond East and West: 2nd Chinese Contemporary Art Exhibition (Todd Gallery, USA); Latitude-Longitude Series in Chinese Contemporary Art Exhibition (Cleveland State University Art Museum).

·2018: Latitude-Longitude Series in Hometown Moon (Qingdao Museum).

·2017: Fusion Series in China Mural Art Committee Annual Exhibition (Datong Art Museum).

·2016: Solo exhibition Jiang Zhuqing’s Works (Soaring Dragon Gallery, Denver, USA).

·2015: Fusion Series in Kanazawa Art Museum (Japan).

·2014: Glorious Seasons in 12th National Art Exhibition and 3rd National Mural Exhibition; Yin-Yang in Yuan Yunfu & Tsinghua Art Group Invitational Exhibition (National Centre for the Performing Arts).

·2013: Harmonic Tones in China Artists Association Nomination Exhibition; Latitude-Longitude Series (STONE Gallery, Los Angeles).

·2012: Fusion Series in Facing East (Mill Fine Art, Santa Fe, USA).

·2011: Network Series in China-Russia Women Artists Exchange; Latitude-Longitude Series in 21st International Science & Peace Art Exhibition; Purity in Art Tsinghua (National Museum of China).

·2010: Formless Imagery Series in Common Ground Foundation Exhibition (USA); Metamorphosis Series in 11th National Art Exhibition.

Mural & Public Art Projects

·Collaborative Works:

oSplendid China (heavy-color mural, Great Hall of the People, Beijing).

oSong of Chinese Integrity (China Millennium Monument, Beijing).

oAcrylic murals for Beijing Hotel, Jingxi Hotel, and China World Trade Center (lacquer mural Chinese Landscape).

oLilies (acrylic mural, China World Hotel).

oStone relief Bountiful Land (Heixiazi Island, Heilongjiang).

oMillennium Culture Wall and Millennium Monument (Jingdezhen).

oForged copper murals Joyful Dynasty and Sun-Moon Radiance (Qingdao Dynasty Hotel).

oSculpture Golden Key (Beijing World Park).

oGlass screen murals (Beijing Friendship Hotel).

oYangtze & Yellow Rivers and Ethnic Unity (Chinese Consulates in Czech Republic and New York).

oTree of Life (acrylic mural, Beijing State Security Bureau).

oEvening Heron (Kyoto Sea Hawk Resort, Japan); Pear Blossoms (screen painting).

oAquatic World (heavy-color mural, London Waterfront Hotel).

oSpring of the Summer Palace (heavy-color mural, Wuyi Mountain Villa, Fujian).

Major Publications

·Strolling Through Public Art (Tsinghua University Press, 2007.11)

·Material·Art (Tsinghua University Press, 2014.1)

·On Decorative Arts (Huashan Publishing House, 2002)

·European Wall Decor and Mosaic Art (Zhejiang Fine Arts Publishing House, 1997.12)

·European Public Environmental Art (Shandong Fine Arts Publishing House, 1997.12)

·Modern Parisian Neighborhoods (Zhejiang Fine Arts Publishing House, 1997.12)

·Urban Environmental Sculpture (Zhejiang Fine Arts Publishing House, 1997.2)

·Jiang Zhuqing’s Animation Designs (Lingnan Fine Arts Publishing House, 2000.12)

·Jiang Zhuqing’s Paintings (Hong Kong Xinno Publishing, 2000.10)

Major Awards

·Grand Prize, 1st and 3rd National Mural Exhibitions

·Silver Medal, 9th and 12th National Art Exhibitions (Mural Category)

·Outstanding Award, 7th National Gongbi Painting Exhibition

·Inaugural Zhang Guangyu Art Prize

Teaching
Integrates research-oriented pedagogy, merging classroom instruction, creative practice, and theoretical study. Emphasizes the synergy of tradition, contemporary art, and site-specific environments.

Courses Taught

·Undergraduate: Public Art and PracticeMaterials and PaintingMeticulous Heavy-Color PaintingLine Drawing and Sketching.

·Graduate: Public ArtMeticulous Heavy-Color Painting.

Student Supervision

·Supervised 8 MA students and 3 PhD candidates in recent years.

·Graduated 7 MA students to date.


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